Contents; Introduction, I. Themes of German Romantic Painting: Brotherhood; The Romantic Self; Role-Playing: Overbeck as the monk-srtist; Overbeck the independent man; Overbeck the monk-artist; Historicism; The Nazarenes’ view on imitation; The Nazarenes’ search for origins; Indirect Communication; Fredrich’s reflections on nature; Runge and the coherence of art; II. Romanticism Rewritten: The marginalization of the Nazarenes, The first histories of modern German painting; The Nazarenes and the critics, 1850-1900; From Overbeck and Cornelius to Friedrich and Runge, From nationalism to formalism, From formalism to racism, the reassessment of Goethe, The Nazarenes defended; Anti-Semitism and formalism, Conclusion, Index.