Visual Style and Constructing Identity in the Hellenistic World Nemrud Dag and Commagene under Antiochos I

Located in the small kingdom of Commagene at the upper Euphrates, the late Hellenistic monument of Nemrud Dag (c.50 BC) has been undeservedly neglected by scholars. Qualified as a Greco-Persian hybrid instigated by a lunatic king, this fascinating project of bricolage has been written out of history. This volume redresses that imbalance, interpreting Nemrud Dag as an attempt at canon building by Antiochos I in order to construct a dynastic ideology and social order, and proving the monument's importance for our understanding of a crucial transitional phase from Hellenistic to Roman. Hellenistic Commagene therefore holds a profound significance for a number of discussions, such as the functioning of the Hellenistic koine and the genesis of Roman 'art', Hellenism and Persianism in antiquity, dynastic propaganda and the power of images, Romanisation in the East, the contextualising of the Augustan cultural revolution, and the role of Greek culture in the Roman world.

1. Approaching Nemrud Dag; 2. Commagene: a historical geography; 3. Identity; 4. Style; 5. Postscript: between East and West?; Appendix. Antiochos' nomos: translation.

Miguel John Versluys is Professor of Classical and Mediterranean Archaeology at Rijksuniversiteit Leiden, The Netherlands. His research focuses on cultural dynamics in Eurasia in the Hellenistic and Roman periods. He is the author of Aegyptiaca Romana: Nilotic Scenes and the Roman Views of Egypt (2002), and the editor of Globalisation and the Roman World: World History, Connectivity and Material Culture (Cambridge, 2015) and Persianism in Antiquity (2016).