The Hollywood War Machine U.S. Militarism and Popular Culture

The newly expanded and revised edition of The Hollywood War Machine includes wide-ranging exploration of numerous popular military-themed films that have appeared in the close to a decade since the first edition was published. Within the Hollywood movie community, there has not been even the slightest decline in well-financed pictures focusing on warfare and closely-related motifs. The second edition includes a new chapter on recent popular films and another that analyzes the relationship between these movies and the bourgeoning gun culture in the United States, marked in recent years by a dramatic increase in episodes of mass killings.

CONTENTS Preface Chapter One: Media Culture in the Imperial System Chapter Two: Militarism in American Popular Culture Chapter Three: War and Cinema: The Historical Legacy Chapter Four: The Vietnam Syndrome: Politics and Cinema Chapter Five: Recycling the Good War Chapter Six: Cinematic Warfare in the New World Order Chapter Seven: Hollywood After 9/11

Carl Boggs is Professor of Social Sciences at National University in Los Angeles, Adjunct Professor at Antioch University in Los Angeles, and author or editor of numerous books including Imperial Delusions: American Militarism and Endless War (Rowman & Littlefield 2004) and Masters of War: Militarism and Blowback in an Era of American Empire (Routledge 2003). Tom Pollard is Professor of Social Sciences at National University in San Jose and a documentary filmmaker whose work has appeared on BBC, the Discovery Channel, the Life Network, Canadian Broadcasting System, and various PBS channels. His most recent book is Sex and Violence: The Hollywood Censorship Wars (Paradigm, 2010) and he has coauthored with Carl Boggs The Hollywood War Machine (Paradigm, 2007) and A World in Chaos: Social Crisis and the Rise of Postmodern Cinema (Rowman & Littlefield 2003).