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wilkie alex (curatore); savransky martin (curatore); rosengarten marsha (curatore) - speculative research
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Speculative Research The Lure of Possible Futures

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Dettagli

Genere:Libro
Lingua: Inglese
Editore:

Routledge

Pubblicazione: 02/2017
Edizione: 1° edizione





Note Editore

Is another future possible? So called ‘late modernity’ is marked by the escalating rise in and proliferation of uncertainties and unforeseen events brought about by the interplay between and patterning of social–natural, techno–scientific and political-economic developments. The future has indeed become problematic. The question of how heterogeneous actors engage futures, what intellectual and practical strategies they put into play and what the implications of such strategies are, have become key concerns of recent social and cultural research addressing a diverse range of fields of practice and experience. Exploring questions of speculation, possibilities and futures in contemporary societies, Speculative Research responds to the pressing need to not only critically account for the role of calculative logics and rationalities in managing societal futures, but to develop alternative approaches and sensibilities that take futures seriously as possibilities and that demand new habits and practices of attention, invention, and experimentation.




Sommario

Introduction1. The Lure of Possible Futures: On Speculative Research,(Martin Savransky, Alex Wilkie & Marsha Rosengarten) Part 1: Speculative PropositionsSection Introduction, (Martin Savransky, Marsha Rosengarten, Alex Wilkie) 2. The Wager of an Unfinished Present: Notes on Speculative Pragmatism, (Martin Savransky) 3. Speculative Research, Temporality and Politics, (Rosalyn Diprose) 4. Situated Speculation as a Constraint on Thought, (Michael Halewood) Part 2: Speculative LuresSection Introduction, (Marsha Rosengarten, Martin Savransky, Alex Wilkie) 5. Pluralities of Action, a Lure for Speculative Thought, (Marsha Rosengarten) 6. Doing Speculation to Curtail Speculation, (Alex Wilkie & Mike Michael) 7. Retrocasting: Speculating about the Origins of Money, (Joe Deville) Part 3: Speculative TechniquesSection Introduction, (Alex Wilkie, Marsha Rosengarten, Martin Savransky) 8. Sociology’s Archive: Mass-Observation as a Site of Speculative Research, (Lisa Adkins) 9. Developing Speculative Methods to Explore Speculative Shipping: Mail Art, Futurity and Empiricism, (Rebecca Coleman) 10. Creating Idiotic Speculators: Disaster Cosmopolitics in the Sandbox, (Michael Guggenheim, Bernd Kräftner & Judith Kröll) 11.'Too Sweet to Kill' – A Contribution to the Art of Cosmopolitics, (Michael Schillmeier & Yvonne Lee Schultz) Part 4: Speculative ImplicationsSection Introduction, (Martin Savransky, Alex Wilkie, Marsha Rosengarten) 12. On Isabelle Stengers’ ‘Cosmopolitics’: A Speculative Adventure, (Vikki Bell) 13. Aesthetic Experience, Speculative Thought, and Civilized Life, (Michael L. Thomas) 14. The Lure of the Possible: On the Function of Speculative, (Didier Debaise) Afterword 15. Postscript, (Monica Greco)




Autore

Alex Wilkie is a sociologist and a senior lecturer at the Department of Design Goldsmiths, University of London. His research interests combine aspects of social theory, science and technology studies with design research that bears on theoretical, methodological and substantive areas including, but not limited to: energy-demand reduction, design practice and design studios, healthcare and information technologies, human-computer interaction design, inventive and creative practices, user involvement and participation in design, practice-based design research, process theory and speculative thought. Alex is a director of the Centre for Invention and Social Process (CISP), alongside Michael Guggenheim and Marsha Rosengarten, and convenes the Ph.D. programme in Design at Goldsmiths. He has recently co-edited Studio Studies: Operations, Topologies and Displacements with Ignacio Farias (Routledge, 2015) and he is preparing the edited collection Inventing the Social with Michael Guggenheim and Noortje Marres (Mattering Press). Alex is also a founding editor of Demonstrations, the journal for experiments in social studies of technology. Martin Savransky is a lecturer at the Department of Sociology, Goldsmiths, University of London, where he teaches philosophy, social theory and methodology of social science. He works at the intersection of process philosophy, the philosophy and methodology of the social sciences, and the politics of knowledge. He has published widely on the ethics and politics of social inquiry, postcolonial ontologies, and social theory. He is the author of The Adventure of Relevance: An Ethics of Social Inquiry (Palgrave Macmillan, 2016). Marsha Rosengarten is Professor in Sociology, Director of the Unit of Play and Co-Director of the Centre for the Study of Invention and Social Process, Department of Sociology, Goldsmiths, University of London. She is the author of HIV Interventions: Biomedicine and the Traffic in Information and Flesh and co-author with Mike Michael of Innovation and Biomedicine: Ethics, Evidence and Expectation in HIV. Recent articles focus on biomedical research within the field of HIV, Ebola and Tuberculosis drawing from feminist and process oriented approaches. Her work offers alternative ways of conceiving intervention, bioethics, randomized controlled trials and, hence, the nature of scientific evidence. In 2009 she co-founded the international Association for the Social Sciences and Humanities in HIV (ASSHH). Although mostly known for her empirically oriented work on HIV and direct engagement with the biomedical field, in 2013 as Director of the Unit of Play in collaboration with Martin Savransky, Jennifer Gabrys and Alex Wilkie she initiated an intellectual project on speculation. The project has since involved various seminars and workshops and public presentations which, to date, have resulted in the manuscript Speculative Research.










Altre Informazioni

ISBN:

9781138688360

Condizione: Nuovo
Collana: CRESC
Dimensioni: 9.25 x 6.25 in Ø 1.39 lb
Formato: Copertina rigida
Illustration Notes:23 b/w images, 22 halftones and 1 line drawing
Pagine Arabe: 254


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