Music and the Origins of Language Theories from the French Enlightenment

This new series explores the conceptual frameworks that shape or have shaped the ways in which we understand music and its history, and seeks to elaborate structures of explanation, interpretation, commentary, and criticism which make music intelligible and which provide a basis for argument about judgments of value.

The search for the origins of language was one of the most pressing philosophical issues of the eighteenth century. What has often escaped notice, however, is the fact that music figures prominently in this search. This study analyses instances of thinking or reasoning about music and music theory as they appear within the logical and narrative structure of contemporary texts, including writings by Rousseau, Diderot, Rameau and Condillac. These can only be properly understood as part of an interdisciplinary project, as situated within a field of larger cultural issues and concerns. The author is interested in the ways in which music functions within this discursive framework to facilitate links between language and meaning, and between conceptions of an original society and an ideal social order.

Acknowledgements; Introduction; 1. Music and language; 2. Origins; 3. Music theory and the genealogy of knowledge in Condillac's Essai sur l'origine des connaissances humaines; 4. Music and original loss in Rousseau's Essai sur l'origine des langues; 5. Sensible sounds: music and theories of the passions; Conclusion; Biography; Index.

This study analyses reflections on music and music theory as they appear within the logical and narrative structure of texts by, for example, Rousseau, Diderot, Rameau and Condillac, and considers the ways in which music facilitates links between language and meaning, between conceptions of an original society and an ideal social order.