Medieval Music-Making and the Roman de Fauvel

This book explores the role of music in an early fourteenth-century French manuscript (BN, fr. 146). The musical repertories found in this manuscript, particularly those interpolated into the Old French satire, the Roman de Fauvel, are frequently used to illuminate the wider history of French medieval music. This study sets the manuscript against the wider culture of Parisian book-making, showing how in devising new systems of design and folio layout, its creators developed a new kind of materiality in music: it illustrates how music is expressive in ways that are unperformable apart from its visual representation. This study is primarily concerned with the workings of fr. 146; however, it also argues that the new attitudes to (material) music-making embodied in that manuscript serve as a model for exploring other music manuscripts to emerge in late-medieval France.

Prologue; 1. Contexts; 2. Music and the book: approaches to the interpretation of manuscripts; 3. Chaillou's authorial presence; Interpolation: the conquest of the parchment; 4. Author and scribe: a compiler for fr. 146; 5. Music and the narratives of compilation; 6. The poetic uses of song space.

This book explores the role of music in an early fourteenth-century French manuscript. It sets the manuscript against the wider culture of Parisian book-making, showing how in devising new systems of design and folio layout, its creators developed a new kind of materiality in music.

Emma Dillon is Assistant Professor of Music at the University of Pennsylvania. She specialises in French medieval music and is a contributor to Fauvel Studies (1998).