Introduction
by Filippo Annunziata and Giorgio Fabio Colombo.- Part I – Law in Opera: Scalia/Ginsburg: the Rhythm of the US Federal Supreme Court
by Francesca Benatti.- Exile and Identity: Findings of Fact and Opinions of Law in Bellini's
La Straniera by Louis Bertone.- Fiat iustitia et pereat mundus. The Tragic Conflicts of the Judge in
I due Foscari by Angelo Pio Buffo.- “That may be Japanese law…but not in my country!”. Marriage, Divorce and Private International Law in Giacomo Puccini’s Madama Butterfly
by Giorgio Fabio Colombo, Masabumi Suzuki and Dai Yokomizo.- Crime, Prosecution and Justice in Verdi’s
Otello by Paolo Di Felice and Alessandro Accinni.- Le Nozze di Figaro and the Sunset of Ancien Régime Legacy on Modern Legal Culture
by Elena Faletti.- Recurring Legal Issues in Italian Opera
by Silvia Ferreri.- Le nozze di Wolfgang: About the Meaning of Marriage in Mozart’s Operas
by Cesare Fertonani.- The Depiction of Crimes in Puccini’s Works
by Pietro Gandetto.- The “Gesualdo Case” in Contemporary Melodrama
by Giovanni Iudica.- Law and Fate in
Norma,
I Puritani,
Aida and
Tosca by Przemyslaw Krzywoszynski and Jan Wolenski.- Equality and Social Complexity. A Comparison between
Idomeneo Re di Creta and
Le Nozze di Figaro by Mariano Longo.- Revenge between Legal and Social Norms in
Cavalleria Rusticana by Giuseppe Lorini.- Paternal Justice in Giuseppe Verdi’s Operas
by Mario Antonio Riberi.- Giacomo Puccini’s
Gianni Schicchi. Harmony in the System
by Maria Teresa Sanza.- Part II – Law on Opera: The Voice of the Opera Singer and its Protection: Another Look at the
Maria Callas Case
by Julia Ammermann Yebra.- Critical Edition of an Opera: a New Look for an Old Lady? The Boundaries of Copyright Protection in the EU Countries
by Giovanna Carugno.- A Little-known Source for the Public at the Paris Opéra: the
Baux des Loges by Mark Darlow.- What is Allowed in the Opera? – Law as the Boundary of Artistic Experiment
by Ewa Letowska and Krzysztof Pawlowski.- The Italian
Scrittura Teatrale: a Peculiar Case of Unwritten Terms Integrating Contracts
by Geo Magri.- Der Ring des Nibelungen - From a Criminal Law Perspective
by Peter Lewisch.- Part III – Law around Opera: Law, Opera and the Baroque Mentality: Contradictions, Paradoxes and Dialogues
by Mariana Lima Maia and Marcilio Toscano Franca Filho.- Schiller’s “An die Freude”, Beethoven’s Ninth and the Struggle over Europe’s Identity
by Giorgio Resta.- The Current International and Music Society
by Gustavo Troccoli Carvalho de Negreiros.- Nemorino’s Plagiarims. Author Copyright, Musical Theatre, and Circulation of Texts in the
Siglo de Oro of Italian Opera
by Filippo Annunziata.
