Introduction Nicholas McGuinn, Norio Ikeno, Edda Sant, and Ian Davies Part I: Perspectives and principles 1. Theatre and citizenship education: global perspectives and points of contact Christopher B. Balme 2. Drama and active citizenship Peter O’Connor and Kelly Freebody 3. Young people, musical theatre and identity Danny Braverman Part II: Country case studies 4. China–drama and citizenship in China:a practitioner’s story Xu Jun with Zhai Yueqin 5. Russia—social theatre Manon van de Water 6. Colombia– making other people’s memories your own: theatre practices and citizenship Laissa M. Rodríguez Moreno 7. England– searching for social justice education in a challenging context Nicholas McGuinn and Ian Davies 8. Japan– at the forefront of change Takahiro Watanabe 9. New Zealand– broken treaties, broken vows: unearthing the bones in citizenship education Peter O’Connor and Kelly Freebody 10. South Africa– struggling on Martin Braund and Logamurthie Athiemoolam 11. Pakistan– oppositional voices and strategies of critique Farhan Ebadat Yar Khan, Rida Sarfra, and Ghazal Syed 12. USA– challenging compliance: activating citizens for change Bethany Nelson Part III: Ideas, issues and actions 13. Ways into drama: preparing for engagement Jonathan Sharp and Peter Brett 14. Voices: drama and the development of speaking and acting in public spaces Sarah Evans, Caroline Pacievich, Marcia Donadel, and Edda Sant 15. Youth political literacy and drama pedagogy Daehoon Jho and CheraéHalley 16. Against the odds: community citizenship education and drama in South Africa Joseph Divala, Martin Braund, and Logamurthie Athiemoolam 17. Drama and social and moral responsibility Andrew Peterson and Joseph Winston 18. Identity, drama and citizenship education Ghazal Shaikh and Paulina Bronfman Collavati 19. Professional development Lee Jerome, Gareth Evers, and Alex Suthern 20. Conclusions and recommendations Nicholas McGuinn, Norio Ikeno, Edda Sant, and Ian Davies