Intelligence, Creativity and Fantasy Proceedings of the 5th International Multidisciplinary Congress (PHI 2019), October 7-9, 2019, Paris, France

The texts presented in Proportion Harmonies and Identities (PHI) - INTELLIGENCE, CREATIVITY AND FANTASY were compiled with the intent to establish a multidisciplinary platform for the presentation, interaction and dissemination of research. The aim is also to foster the awareness and discussion on the topics of Harmony and Proportion with a focus on different visions relevant to Architecture, Arts and Humanities, Design, Engineering, Social and Natural Sciences, and their importance and benefits for the sense of both individual and community identity. The idea of modernity has been a significant motor for development since the Western Early Modern Age. Its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts.

Part I Intelligence, creativity and fantasy The creativity code M. du Sautoy The intelligence of fiction F. Lavocat The presence of metaphysical symbolism in architectural formation of Armenia early and medieval spiritual sites A. Shatvoryan Fantasies of space and time D. Fimi Traces of a recreated reality: Rafael Bordalo Pinheiro’s busts of Pai Paulino M. do R. Pimentel Political fiction or the art of the deal R. Zink Part II Architecture/urbanism/design “Through the rabbit hole”: Intelligence creativity and fantasy in architectural composition M.S.M. Kong Creativity and beauty in art and science today: A basis for discussion of a possible future architecture C.G. Gonçalves Notes on illusion: Ideation as an instrument for a spatial intelligence of architecture F. Oliveira ‘The open work’: Inter-relations between science and art A.M. Feliciano UOVO-EGG-OEUF-OVO: From the origins of the world to a creative objective R. Maddaluno Towards a meta-Baroque: Imagining a “fantastic reality” M.J. Soares Stolen characters against an enclosure of the imagination D. Jesus Developing creative approaches in architectural education I. Tarasova Fantasy and creativity of the Azuchi-Momoyama period Japanese tea architecture A.P. Higashino From fantasy to experimentation: The one-to-one scale in architecture exhibitions A. Neiva Architecture and cinema: The tower as both scenario and protagonist E. Kuchpil &A. Pimentel dos Santos Fictional movement on the NY’s Guggenheim ramp S. Paiva de Sousa & M. Baptista-Bastos Gottfried Böhm’s creativity: Architecture as a sculpture made of concrete A. Serafin Intelligence, creativity and fantasy in Bernard Tschumi’s Glass Video Gallery: In-between translucency, transgression and interaction A. Vasconcelos From the intensity to the essence: Fantasy and architectural creativity between the Neorealism and the Third Modernism in Portugal M. Baptista-Bastos & S. Paiva de Sousa Paper as a flexible alternative applied to the Dom-Ino System: From Le Corbusier to Shigeru Ban A. Nogueira & M.S.M. Kong The internationalisation of Álvaro Siza and the myth of the traditional and conservative architect J. Nunes The fantasy of reality: On the design drawings of Álvaro Siza Vieira J.M.C. Duarte The “good taste”: When patterns restrict creativity G.M. de Carvalho Creativity and pragmatism: A practical example of a project C.R. Castro & M.S.M. Kong Towards a more intelligent dwelling: The quest for versatility in the design of the contemporary home H.L. Farias The house as a mirror and support of identity: Reflections for a more conscious and subjective inhabiting A. Santos Leite Architecture stories in the construction of children’s spatial conscience M. Louro From fantasy to reality: Adaptive reuse for flour mills in Venice S. Palomares Alarcón The ruined fantasies of intelligent minds: ‘The Nobel’s town’ and neglected Swedish heritage in St. Petersburg I. Seits World-in-spheres: A cartographic expedition through the spherical world of Peter Sloterdijk F.H. Brum de Almeida, G.H. Rosa Querne & L. de M. Reitz From international context to Portuguese urban planning: Creativity on mechanical aesthetics in Planos Gerais de Urbanização J. Cabral Dias “Fantastic” colonial cities: Portuguese colonial utopia A. Ramos Fantasy and reality belong together; multidimensional thinking to innovate the creative process J. Silveira Dias & D. Loução Creativity and intelligent research in design: The use of quasi-experience F. Moreira da Silva Sustainability through design creativity A. Moreira da Silva Design skills and craftwork culture in scenic design for theatre L. Soares, R.A. Almendra, E. Aparo & F. Moreira da Silva Foot haptic perception in hospital wayfinding M. de A. Borges Methodology for colour planning in urban furniture: Laje, a case study M. Gamito & J. Sousa Fashion design and productive thinking: Pragmatical approaches to creativity L. Ferrão & G. Sousa Part III Arts Fantasy, creativity and proportions: Spiral representations in culture and art T. Lousa & J. Mikosz The creative daemon (daíµ??) and the hyper-intellection of art J. Pereira de Matos The creation through listening: Expression, intelligence, inspiration and wisdom S.C. Yan &A.L.M.M. Rodrigues Art and mind set: Neuroscience and education in the life project C. Accetta The creativity of artistic appropriation and the copyright G. Horváth Creativity through destruction in the genesis of artist’s books A. Canau Aldo Rossi’s Teatrino Fernando J. Ribeiro The torrent of art, the rooms of art. The Fiumara d’Arte and Atelier sul Mare in Sicily S. Centineo Considerations on the colours of Pompeii walls M.J. Durão Pictorial (re-) creations: From the fourth Centenary of India (1898) to Expo’98 M.J. Castro Creativity and the observer A.L.M.M. Rodrigues Drawing in architecture: Exercising the creativity of thinking architectural space A.R. Ortega & S.Weihermann Part IV Humanities The love of the one for the many and the many for the one D. Swartz A Mesopotamian notion of intelligence and creativity: The ingenious nature of Enki/Ea I.G. de Almeida The legend of Sardanapalus: From ancient Assyria to European stages and screens M. de F. Rosa Fantasy, cryptozoology and/or reality: Interconnected stories of mythological creatures and marine mammals C. Brito To ponder the pathology of power in the early modern Era: Creativity and intelligence in the political theory and practice reflected in emblems and iconological programs M.L.G. da Cruz From the ineptitude to a higher capability: The Jesuits and the formation of a Christian community in Brazil and Japan (16th-century) M.A. Boscariol Creativity in the 16th-century representation of King Sebastião’s in the Battle of Ksar-el-Kebir A.P. Avelar Intelligence and creativity at the service of the Society of Jesus in 16th century Japan: The contribution of Father Luís Fróis H. Resende A science of the probable; epistemological inventiveness according to Diderot L.M.A.V. Bernardo The gaze of death or modern adventures of the imagination in three acts S. Wróbel The railways of the Begum’s Fortune by Jules Verne and André Laurie F. de L. Lourencetti On Hesse’s Der Steppenwolf: How creatively actual a modern literary artwork can lively be? F. Ribeiro Creativity in H.G.Wells: Imagining the role of miracles in a secular society L. Sampaio da Silva On stories: Tolkien and fictional worlds M. do R. Monteiro Victorious nature in Anglo-Saxon England and fantasy Middle-earth A. Cossío Tree and forest models in Victorian/Edwardian fantasy: MacDonald, Morris and Grahame as triggers of J. R. R. Tolkien’s Creativity A. Cossío From Tolkien’s British Middle-earth to King’s AmericanWest Mid-World R. Montero-Gilete The final frontier: Fictional explorations of the borders of nature and fantasy in early twentieth-century imaginative literature M. Simonson The cure for death: Fantasies of longevity and immortality in speculative fiction T. Botelho Upgraded fantasy: Recreating SF film I. Borbely Healing through storytelling: Myth and fantasy in Tomm Moore’s Song of the Sea A. Varandas Between reality and fantasy; a reading of Katherine Vaz’ “My Hunt for King Sebastião” M. Avelar Intelligence, creativity and fantasy in Baltasar and Blimunda, by José Saramago L.S. Loureiro Intelligence for obedience and creativity for subversion: Reading António Ladeira’s Os Monociclistas (2018) and Seis Drones (2018) M. Rendeiro Literary creativity and political debate. The case of African journals Mensagem and Notícias do Imbondeiro N. Alfieri Creativity and innovation in Cante from the Estado Novo to the present E.M. Raposo From rap to literature: Creativity as a strategy of resistance in Portugal through the works by Telma Tvon F. Lupati Part V Social sciences Creativity, Utopia and Eternity at the Francke Foundations in Halle: Art between image politics and cultural memory K. Groop Harriet Martineau, John H. Bridges, and the sociological imagin

Mário S. Ming Kong has a degree in Architecture from the Faculdade de Arquitectura da Universidade de Lisboa (FAUTL), and a PhD in Architecture with Aggregation in the field of drawing and visual communication from Escuela Superior Technical Architecture Barcelona - Universidad Politécnica de Cataluña (UPC-ETSAB). He is presently Professor at FAUTL, Lecturer in ESELx and Visiting Professor at the Master Course in arts at ESBAL. He previously taught at Lusophona University (ULHT) and Independent University, respectively in the Departments of Urban Planning and Architecture. In 2000 he was Coordinator of the first year of the course in Urban Planning ULHT. In 1998 he served as Regent of the discipline Design/CAD/Geometry at ULHT. He participated in scientific research studies and consulting work for outside entities. He has also participated in several publications, communications indexed to TAYLOR & FRANCIS and ISI, Scopus, Web of Science and training courses in order to disseminate the results of his research activities at national and international universities. His main research areas are: Harmony and proportion in representation between West and East and its application to Sustainable Architecture, in particular by applying concepts of Origami and Kirigami to materials such as paper and bamboo. Maria do Rosário Monteiro is Professor of Comparative Literature at the FCSH/UNL (New University of Lisbon). She graduated in Modern Languages and Literature at the University of Lisbon (1983), and completed a Master in Comparative Literary Studies at the Universidade Nova de Lisboa in 1987 and a PhD in Literary Sciences, speciality of Comparative Literature, at Universidade Nova de Lisboa in 1997. She currently lectures in Comparative Culture and Literature at graduate and postgraduate levels. She is a Senior Researcher at CHAM – Centre for the Humanities (FCSH/NOVA, UAc). She is editor of several books, both in Portuguese and English, author of the first academic books on Tolkien published in Portugal, and author of several essays on Utopia, Fantasy, and Science Fiction. Maria João Pereira Neto is Professor at Faculty of Architecture University of Lisbon and member of the Department of Arts, Humanities, and Social Sciences. She has a PhD in History and a Master's degree in Sociology. Her main domains of teaching and research are applied Social Sciences, Humanities, Art and Architecture History, Design, Scenography, Heritage. Since 1978, she has amassed scientific research experience and professional consulting experience in the domains of Social Sciences and Humanities. She is a member of the Scientific Board of the Faculty of Architecture (2008 -2011; 2014…). She was senator of The University of Lisbon, elected to the Scientific Board (2013-2017). Effective member CIAUD - Research Centre for Architecture, Urbanism and Design faculty of Architecture, University of Lisbon, associated member of CHAM – Centre for Humanities (FCSH/NOVA, UAc). Member of the Geographical Society – Lisbon, president of the Arts and Literature Section, and in 2016 also the Section of Heritage Studies, vowel of the sections: Tourism, Communication Studies, Education and Ethnology. Author of several indexed texts in Isis, Scopus, Web of Science.