Ideas for the Animated Short Finding and Building Stories

Editor's note: there has been an issue with the book's companion site. FocalPress is fixing the issue. In the meanwhile,please visit http://www.routledge.com/cw/sullivan-978024081872/for all the material promised in the book. From demo reel creation to festival shorts, students and professionals alike are creating animated shorts that are dynamic and eye catching but the time constraints of these shorts are challenging in their own right. The unique format of the animated short of two to five minutes in length presents a practical and aesthetic challenge that is rarely addressed in the classroom. Ideas for the Animated Short is a comprehensive and practical blueprint for creative and unique animated short creation with a focus on the strength of a compelling story. A comprehensive guide to the animated short, this title is an invaluable asset for aspiring animation professionals, students and independent filmmakers. Explore the process of developing a short from conception to final delivery and adapt the industry's best practices in your own workflow. Written byfour leading animators, artists and professors, Ideas for the Animated Short is written from the unique perspective of a professional animator adapting creative stories into incredible animated shorts.Follow from start to finish the creation of an animated short from the pre-production thought process to story development and character design. Explore the best practices and avoid the common pitfalls of creating two to five minute shorts. Watch a specially created animated short, demonstrating the core techniques and principles at the companion website! Packed with illustrated examples of idea generation, character and story development, acting, dialogue and storyboarding practice this is your conceptual toolkit proven to meet the challenges of this unique art form. The companion website includes in-depth interviews with industry insiders, short animations (many with accompanying animatics, character designs and environment designs) and an acting workshop to get your animated short off to a flying start! With all NEW content on script writing, acting, sound design and visual storytelling thatfurther enhance your animated shorts and apply the industry best practices to your own projects.

Foreword: John Tarnoff, DreamWorks Animation Preface Acknowledgments "Bee Sting" by Demetri Martin Chapter 1: Story Background and Theory Making the Animated Short: An Interview with Andrew Jimenez, Pixar Animation Studios Chapter 2: Finding Ideas The Ideas Behind Technological Threat: An interview with Bill and Sue Kroyer The Ideas Behind Moongirl: An Interview with Mike Cachuela Chapter 3: Acting: Exploring the Human Condition The Importance of Play: An Interview with Jack Canfora, Playwright Chapter 4: Building Character and Location Personality, Goals, Shapes and Variance in Character Design: Tom Bancroft, Funnypages Production, LLC Visual Design: Interviews with Kendal Cronkhite and Kathy Altieri, DreamWorks Feature Animation Chapter 5: Building Story Making It Visual: The Fantastic Flying Books of Mr. Morris Lessmore. An interview with Brandon Oldenburg and Adam Volker, Moonbot Studios (excerpt) Chapter 6: Off the Rails: An Introduction to Nonlinear Storytelling An Interview with Deanna Morse Chapter 7: The Purpose of Dialogue The ABCCCs of Voice and Dialects for Animators: Ginny Kopf Creating Music to Support Narrative: An Interview With Perry Lamarca Chapter 8: Storyboarding Storyboarding: An Interview with Nathan Greno, Walt Disney Feature Animation Chapter 9: Staging On Staging: An interview and shot analysis with Steve Hickner, Dreamworks Animation Studios Chapter 10: Developing a Short Animated Film with Aubry Mintz Pitching Stories: Sande Scoredos, Sony Pictures Imagesworks

Karen Sullivan is faculty at Ringling College of Art and Design, teaches courses in history, concept development, and preproduction practices for animation. She has lectured internationally on story development for the animated short, written articles and guest-edited SIGGRAPH issues on concept development for animation.Gary Schumer, faculty at Ringling College of Art and Design, teaches courses in traditional animation, storyboarding and concept development for animation. He worked for Walt Disney Feature Animation from 1996-2004, as Effects Animator, Assistant Animator, Manager of Training and Training Coordinator. He also worked on Brother Bear, Mulan, Tarzan, and Lilo & Stitch.