home libri books Fumetti ebook dvd top ten sconti 0 Carrello


Torna Indietro
ARGOMENTO:  BOOKS > LETTERATURA > TEATRO

hayward susan - film ecology

Film Ecology Defending the Biosphere — Doughnut Economics and Film Theory and Practice




Disponibilità: Normalmente disponibile in 20 giorni
A causa di problematiche nell'approvvigionamento legate alla Brexit sono possibili ritardi nelle consegne.


PREZZO
22,98 €
NICEPRICE
21,83 €
SCONTO
5%



SPEDIZIONE GRATIS
con corriere veloce per acquisti oltre 29,00 €.


Pagabile anche con 18App Bonus Cultura e Carta del Docente


Facebook Twitter Aggiungi commento


Dettagli

Genere:Libro
Lingua: Inglese
Editore:

Routledge

Pubblicazione: 12/2021
Edizione: 1° edizione





Note Editore

Using the Regenerative economic model– also known as Doughnut Economics – Susan Hayward offers a thought-provoking sketch for a renewed, tentatively revolutionary approach to both film theory and film practice.This book attempts to answer the questions posed by T.J. Demos (in Against the Anthropocene, 2017): how do we find a way to address planetary harm and the issues it raises within the field of Film Studies? How do we construct a theoretical model that allows us to visualize the ecological transgressions brought about by the growth-model of capitalism which is heavily endorsed by mainstream narrative cinema? By turning to the model set out in Kate Raworth’s book Doughnut Economics (2017) and adapting its fundamental principles to a study of narrative cinema, Film Ecology proposes to show how, by using this model, we can usefully plot and investigate films according to criteria that are not genre/star/auteur-led, nor indeed embedded in anthropocentric theoretical models, but principles which are ecologically based. These arguments are brought to life with examples from mainstream narrative films such as The Giant (1956), Mildred Pierce (1945), Erin Brockovich (2000), Wall Street (1987), Hotel Rwanda (2004), and Missing Figures (2016).This approach will inspire film practitioners, film theorists, critics and analysts, film students and film lovers alike to consider how they might integrate this Doughnut model into their thinking or work as part of their process.




Sommario

Introduction Chapter One: Film and ecology, Doughnut Economics, and film theory Chapter Two: Film and the Anthropocene: dirty Capitalism – Mildred Pierce (1945), Tulsa (1949), and Giant (1956)Chapter Three: Where we are now and where we need to be: from Source and Sink to Take->Make->Use->Re-use –Erin Brockovich (2000), Wall Street (1987), and The Wolf of Wall Street (2013)Chapter Four: A moral imperative to REVOLT: Hotel Rwanda (2004) and Caphernaüm (2018)




Autore

Susan Hayward is Emeritus Professor of Cinema Studies at Exeter University. She is the author of numerous books on French Cinema and Cinema Studies: The Key Concepts (now in its fifth edition).










Altre Informazioni

ISBN:

9781032172972

Condizione: Nuovo
Dimensioni: 8.5 x 5.5 in Ø 0.51 lb
Formato: Brossura
Illustration Notes:15 color images
Pagine Arabe: 124


Dicono di noi