Death and the Mother from Dickens to Freud Victorian Fiction and the Anxiety of Origins

An exploration of the idealized figure of the dead mother in Victorian fiction and Freudian psychoanalysis.

The cultural ideal of motherhood in Victorian Britain seems to be undermined by Victorian novels, which almost always represent mothers as incapacitated, abandoning or dead. Carolyn Dever argues that the phenomenon of the dead or missing mother in Victorian narrative is central to the construction of the good mother as a cultural ideal. Maternal loss is the prerequisite for Victorian representations of domestic life, a fact which has especially complex implications for women. When Freud constructs psychoanalytical models of family, gender and desire, he too assumes that domesticity begins with the death of the mother. Analysing texts by Dickens, Collins, Eliot, Darwin and Woolf, as well as Freud, Klein and Winnicott, Dever argues that fictional and theoretical narratives alike use maternal absence to articulate concerns about gender and representation. Psychoanalysis has long been used to analyse Victorian fiction; Dever contends that Victorian fiction has much to teach us about psychoanalysis.

Preface; 1. The lady vanishes; 2. Psychoanalytic cannibalism; 3. Broken mirror, broken words: Bleak House; 4. Wilkie Collins and the secret of the mother's plot; 5. Denial, displacement, Deronda; 6. Calling Dr. Darwin; 7. Virginia Woolf's 'Victorian novel'; Notes; Index.

Carolyn Dever discusses the apparent paradox that, while Victorian culture idealized the figure of the mother, many popular novels of the period feature mothers who are dead or absent. She goes on to consider the relationship of the dead mother to Victorian theories of origin and Freudian psychoanalysis.