Creating Through Mind and Emotions

The texts presented in Proportion Harmonies and Identities (PHI) Creating Through Mind and Emotions were compiled to establish a multidisciplinary platform for presenting, interacting, and disseminating research. This platform also aims to foster the awareness and discussion on Creating Through Mind and Emotions, focusing on different visions relevant to Architecture, Arts and Humanities, Design and Social Sciences, and its importance and benefits for the sense of identity, both individual and communal. The idea of Creating Through Mind and Emotions has been a powerful motor for development since the Western Early Modern Age. Its theoretical and practical foundations have become the working tools of scientists, philosophers, and artists, who seek strategies and policies to accelerate the development process in different contexts.

PART I – CREATING THROUGH MIND AND EMOTIONS Introduction: Drawing with mind and emotionsMário S. Ming Kong Innovation and tradition in human spaceflight architectureMarc M. Cohen, D.Arch Waking up the trees: Reason, emotion and recovery in The Lord of the RingsMartin Simonson The Justification of slavery in modern natural lawMaria do Rosário Pimentel PART II – ARCHITECTURE / URBANISM / DESIGN Manfredo Tafuri and autonomous architecture: A disciplinary discussion of the 1970sJorge Nunes Rehearsing a performative theory for architectureAyman Kassem The essence of architectural creation: Aesthetic experience as impetusAmra Salihbegovic, Domenico Chizzoniti Tectonics: Reconciling reason and emotion in the architectural projectJoão Carrola Gomes, Pedro Martins Mendes, Paulo Pereira Almeida Architecture as an extension of body and mind: Towards a consciousness of the body's experience in spaceInês Salgueiro, Rui Américo Cardoso The primitive hut: Empirical and emotional discovery for a theorization of architectureAna Marta Feliciano The phenomenon of Graz School: Architecture between emotions and rationalismAleksander Serafin, Marek Pabich Investigating the potential for integrating pure shadow lines into architectural design processAlsaleh Sugati Architecture: reflections on the experience of the projectDulce Loução Pedagogy in the architecture teaching process: Two unique examples in a Master’s Final Exam - Creating through mind and emotionsMiguel Baptista-Bastos Rehabilitation or Multiple Rehabilitation? Rehabilitation as a subjective process by different ways of seeing – and 'wanting’ – to transform and signify the worldAntónio Santos Leite Ambiguousness is an important element in architectural emotional spaceWenyu Qi, Mário S. Ming Kong The aesthetic construction of multiple humanistic thoughts in historical buildingsWenyu Qi, Yun Liu, Mário S. Ming Kong Revisiting the City of Edo and the National Museum of Western Art, in Tokyo: Unlimited organisms, between reason and emotionJoão Miguel Couto Duarte, Maria João Moreira Soares How creations can control minds: The railway stations of the dictatorial regime in PortugalAna Rute Faísca, Pedro Gomes Januário The sublime in architecture: Wright’s transcendentalismLucas Martins, Ana Tostões, Rui Jorge Garcia Ramos Mind, creation, and emotion: Reinventions in Tomás Taveira's architectureMiguel Baptista-Bastos Complexity and contradiction in Eduardo Souto de Moura’s architecture: Some remarks on his creative processJosé Cabral Dias The enigmatic and poetic dynamic of penumbra: Creating and experimenting among reason, emotion, and imaginationAna Vasconcelos From sculpture to Casa da Fuseta, AlgarveMaria L. Duarte, Jorge T. Ribeiro São Paulo Tower: Recreating a Brazilian unbuilt visionary housing project with the help of mind, technology, and emotionsArthur J. de Macedo, Hugo L. Farias Architecture, the starting point: A school in OcuanaSofia Outor, Margarida Louro, Francisco Oliveira Temporary housing: shelters for refugee campsSílvia Santos, Margarida Louro The appropriation of the indigenous architecture in northern Brazilian Amazon for the architectural design process with bioclimatic strategiesVinícius Anjos, Anneli Maricielo Celis, Ana Karina Rodrigues Play and space: Childhood nostalgia as a creative processRaffaella Maddaluno Spatial requirements and standards in the post-COVID-19 houseCarla Chiarantoni Genius LociPedro Abreu Urban-architectural perception as creation between mind and emotionLjiljana Cavic, Soraia Noorali The path of senses, between emotions and creationArtur Renato Ortega, Eneida Kuchpil, Silvana Weihermann Drawing on time and formRogério Vieira de Almeida The foundation myth of St. Petersburg in the city guidebooks: creating heritage through mind and emotionsIrina Seit Rethinking the body, cultivating the mind, sharing the emotions. The Libertà neighborhood in Bari: an experiment in urban regeneration and social resilience.Calogero Montalbano Designing minds with designed emotions: Spiral thinking designJosé Silveira Dias, Rita Almendra Emotions sparkling innovation in lighting products designLiliana Soares, Ermanno Aparo, Rita Almendra, João Teixeira, Jorge Passos Experience, body, and memory in creativityLuis Miguel Ginja Fostering the common: Transformative socio-cultural innovation through co-creativity among citizensAntónio Gorgel Pinto, Paula Reaes Pinto Migrant living archive: Practice to improve cultural integration in participatory art and design projectsPaula Reaes Pinto, António Gorgel Pinto Creativity and sustainabilityGianni Montagna, Carla C. Pereira, Ana A. Marques Pause to think: Creating a fashion collection through music and emotionsElisângela Zottesso, Layla Mendes, Ana Cristina Broega Analysis of robotics field mats as design objectsAlex Paiva, Luciane Maria Fadel PART III – ARTS Identity in death: Communication and reflection through funerary art of the New Kingdom and Revolutionary EgyptTheresa Wilshusen Did the Ancient Greeks perceive the color ‘blue’? An interdisciplinary approach.Maria João Durão “A thing of beauty is a joy forever”: A transdisciplinary reading on creativityClara Germana Gonçalves Mental and emotional processes in two post-Bomarzian parks: Buzzi’s La Scarzuola and Saint Phalle’s Tarots’ GardenSanti Centineo The spectacle of protest: The case of Budapest University of Theatre and Film Arts (SzFE)Gizela Horváth The mind in the creative process: The mastering of technical processes, experimenting, breakaway, and the exploration of error and chance as creative strategies in the creation of a work of artAntónio CANAU The heartbeat, neuroaesthetics, artistic research, and creation through mind and emotionsAnna Unterholzner, Patrícia Gouveia Iannis Xenakis’ drawing expands the morphological intuition-thought inside musical compositionSara Chang Yane, Ana Leonor Madeira Rodrigues PART IV – THE HUMANITIES The project of a seed: 7 small steps to awaken sacred creativityJoana Ribeiro (Sister Regina PACIS) Fredrik Gabriel Hedberg: The reluctant author of an autobiographical conversion narrativeJakob Dahlbacka The sacred space of gods and saints: Some considerations about the sea and exile in Irish mythology and traditionAngélica Varandas Creating the Otherness: Mind and emotions in the European making of 16th-century Japanese peopleHelena Resende Mind and emotion in cinematic recreations of three Shakespeare’s playsIuliana Borbely Emotion and rationality in the creation of the ideal courtierMaria Leonor García da Cruz Fernando Pessoa’s creative process as a “Theater of the Mind”La Salette Loureiro Herberto Helder (1930-2015) F. Pessoa (1988-1935), Hugo von Hofmannsthal (1874-1929), Blauer Reiter’s and Rothko’s modern poiesis: On the creation of literary emotionalityFernando Ribeiro Dystopian visions, populism and the return to empathy in António Ladeira’s Montanha Distante (2020) and Nuno Gomes Garcia’s Zalatune (2020)Margarida Rendeiro The impact of mentality and emotions in the creation of the magazine ClaridadeHilarino da Luz PART V – SOCIAL SCIENCES Lyrical Poetry (sung) congregating the community as a generator of collective emotionsEduardo M. Raposo Mind the food, brief essay on emotions and creativeness during COVID 19 timesAna Pereira Neto, Ana Runa Vaccine hesitancy in the Ostrobothnian Bible Belt? Vernacular Authority at workJakob Dahlbacka A University Church going online: Traditionality and experimentality in YouTube worship services at the University Church in LeipzigKim Stefan Groop

Maria do Rosário Monteiro is Professor of Comparative Literature at the FCSH/UNL (New University of Lisbon). She graduated in Modern Languages and Literature at the University of Lisbon (1983), and completed a Master in Comparative Literary Studies at the Universidade Nova de Lisboa in 1987 and a PhD in Literary Sciences, speciality of Comparative Literature, at Universidade Nova de Lisboa in 1997. She currently lectures in Comparative Culture and Literature at graduate and postgraduate levels. She is a Senior Researcher at CHAM – Centre for the Humanities (FCSH/NOVA, UAc). She is editor of several books, both in Portuguese and English, author of the first academic books on Tolkien published in Portugal, and author of several essays on Utopia, Fantasy, and Science Fiction. Mário S. Ming Kong has a degree in Architecture from the Faculdade de Arquitetura da Universidade de Lisboa (FAUTL), and a PhD in Architecture with Aggregation in the field of drawing and visual communication from Escuela Superior Technical Architecture Barcelona - Universidad Politécnica de Cataluña (UPC-ETSAB). He is presently Professor at FAUTL, Lecturer in ESELx and Visiting Professor at the Master Course in arts at ESBAL. He previously taught at Lusophona University (ULHT) and Independent University, respectively in the Departments of Urban Planning and Architecture. In 2000 he was Coordinator of the first year of the course in Urban Planning ULHT. In 1998 he served as Regent of the discipline Design/CAD/Geometry at ULHT. He participated in scientific research studies and consulting work for outside entities. He has also participated in several publications, communications indexed to Taylor & Francis and ISI, Scopus, Web of Science and training courses in order to disseminate the results of his research activities at national and international universities. His main research areas are: Harmony and proportion in representation between West and East and its application to Sustainable Architecture, in particular by applying concepts of Origami and Kirigami to materials such as paper and bamboo. Maria João Pereira Neto is Professor at Faculty of Architecture University of Lisbon and member of the Department of Arts, Humanities, and Social Sciences. She has a PhD in History and a Master's degree in Sociology. Her main domains of teaching and research are applied Social Sciences, Humanities, Art and Architecture History, Design, Scenography, Heritage. Since 1978, she has amassed scientific research experience and professional consulting experience in the domains of Social Sciences and Humanities. She is a member of the Scientific Board of the Faculty of Architecture (2008 -2011; 2014…). She was senator of The University of Lisbon, elected to the Scientific Board (2013-2017). Effective member CIAUD - Research Centre for Architecture, Urbanism and Design faculty of Architecture, University of Lisbon, associated member of CHAM – Centre for Humanities (FCSH/NOVA, UAc). Member of the Geographical Society – Lisbon, president of the Arts and Literature Section, and in 2016 also the Section of Heritage Studies, vowel of the sections: Tourism, Communication Studies, Education and Ethnology. Author of several indexed texts in Isis, Scopus, Web of Science.