Cinema, Cross-Cultural Collaboration, and Criticism Filming on an Uneven Field

Cinema, Cross-Cultural Collaboration, and Criticism provides a platform for a new politics of criticism, a collaborative ethos for a different kind of relationship to cross-cultural cinema that invites further conversations between filmmakers and audiences, indigenous and others.

List of Figures Preface Acknowledgments 1. Introduction - Cinematic Cross-Cultural Collaboration: Filming on an Uneven Field 2. 'An instrument of actual change in the world': Engaging a New Collaborative Criticism through Isuma/Arnait Productions' Film, Before Tomorrow 3. 'My whole area has started to be about what's left over': Alec Morgan, 'Stolen Histories,' and Critical Collaboration on the Australian Aboriginal Documentary, Lousy Little Sixpence 4. 'A space being right on that boundary'; Critiquing Cross-Cultural Collaboration in Aotearoa New Zealand Cinema 5. Conclusion - Modelling Collaborative Criticism: What Does it Mean to Collaborate Cross-Culturally in Cinema? Select Bibliography Index