developments since the time of "Towards a Poor Theatre,"
With the preface and concluding chapter by Grotowski himself, "At Work With Grotowski" is not only a portrait of the master at work, but also Grotowski's personal testimony to a life spent on the leading edge of the theatre world.
"At Work with Grotowski on Physical Actions" will take its rightful place alongside the dozen or so seminal theatre books of this century. Richards' account will prove a unique resource for actors, students, and anyone seriously interested in the best that the theatre has to offer.
