Redefining the significance of Palladianism as one of the central discourses of eighteenth-century English culture, this book reveals the interdependence between English and Continental architecture and culture in the eighteenth century.
Looking at the dissemination of Palladianism across social boundaries and exploring mass-produced publications, this book presents the Palladian revival as one of the most interesting sites of negotiation between the diverse ideological agendas of the expanding art public.
Bridging architectural history and cultural studies, it will address issues of interest to historians of culture, sociology, and gender as well as architectural and art historians.
