Preface: ; Part 1. Basic Principles; 1. Introduction; Beethoven, Piano Sonata, Op. 2, No. 1, I: ; 2. Melody and Counterpoint; Melody: ; Counterpoint: ; A Sample Analysis: ; 3. Bass Lines and Harmonic Structure; Tonic Harmony (T Class): ; Intermediate Harmonies (Int Class): ; Dominant Harmony (D Class); Larger Contexts: ; The Imaginary Continuo: ; Chord Prolongation: Summary: ; 4. Linear Techniques; Linear Progressions: ; Linear Intervallic Patterns: ; The Neighbor Note: ; Linear Intervallic Patterns: Summary: ; 5. Tonal Structure; Notational Symbols: ; Tonal Structure and the Ursatz; The Bass Arpeggiation (Bassbrechung); The Fundamental Line (Urlinie); Structural Levels: ; The Principle of Interruption: ; More on the Ursatz; 6. Techniques of Melodic Prolongation; The Initial Ascent: ; The Arpeggiated Ascent: ; Unfolding: ; Motion into an Inner Voice: ; Motion from an Inner Voice: ; Voice Exchange: ; Shift of Register: ; Descending and Ascending Register Transfer: ; Coupling: ; Superposition: ; Reaching Over: ; Cover Tone: ; Substitution: ; The Phrygian 2: ; Mixture of Scale Degree 3: ; 7. Some Basic Elaborations of Fundamental Structures; Mozart, Piano Sonata, K. 283, I, bars 1-16: ; Beethoven, Piano Sonata, Op. 14, No. I, II, bars 1-16: ; Beethoven, Piano Sonata, Op. 2, No. 1, II, bars 1-8: ; Beethoven, Piano Sonata, Op. 10, No.1, II, bars 1-16: ; Mozart, Piano Concerto, K. 488, II, bars 1-12: ; Beethoven, Piano Sonata, Op. 14, No. 2, I, bars 26-47: ; Some Points for Review: ; Part 2. Analytical Applications; 8. One-Part Forms; Bach, Prelude in C major (WTC I); Schubert, "Wandrers Nachtlied": ; Schumann, "Lieb' Liebchen": ; 9. Binary Forms; Haydn, Piano Sonata, Hob. XVI/43, Minuet 2: ; Mozart, Symphony No. 35, K. 385, Trio: ; Bach, Flute Sonata No. 2, Minuet 1: ; Corelli, Violin Sonata, Op. 5, No.10, Gavotte: ; Handel, Suite No. 5 in D Minor, HWV 436, Menuetto: ; Bach, "Little" Prelude in C Major, BWV 933, Menuetto: ; Auxiliary Cadences: ; 10. Ternary Forms and Rondo; Beethoven, Bagatelle, Op. 119, No. 1: ; Mendelssohn Song Without Words, Op. 62, No. 1; Schubert, Moment Musical, Op. 94, No. 2: ; Haydn, Piano Sonata, Hob XVI/37, III: ; 11. Sonata Principle; Clementi, Sonatina, Op. 36, No. 1, I: ; Mozart, Symphony No. 35 ("Haffner"), K. 385, II: ; Mozart, Piano Sonata, K. 457, I: ; 12. Some Common Tonal Patterns; Introduction: ; Binary Forms: ; Ternary Forms: ; Sonata Principle: ; Prolongational Spans: ; Mixture and Large-Scale Tonal Plans: ; Appendix: Introduction to Graphic Notation; Open Note Heads: ; Slurs and Filled-in Note Heads: ; Beams: ; Broken Ties: ; Stems with Flags: ; Diagonal Lines: ; Diagonal Lines and Beams: ; Rhythmic Notation at Lower Levels: ; Roman Numerals: ; Sample Graphic Analyses for Study: ; Notes: ; Selected Bibliography: ; Index of Musical Examples: ; Index of Subjects:
