1 Introduction.- Part I 1970s–1990s.- 2 Pina Bausch’s Kontakthof: Choreographies of Gender and Costume.- 3 Queer Becomings: The Ridiculous Theatrical Company’s Camille and Split Britches/Bloolips’ Belle Reprieve.- 4 Théâtre du Soleil and Ariane Mnouchkine: Living and Performing Gender Politics.- 5 Nora, Lucia, and Lear: Gender and Performance at Mabou Mines.- 6 Freaks and Not Freaks: Theatre and the Making of Crip Identity.- 7 Fires in the Mirror: Representations of Race, Gender and Class in Anna Deavere Smith’s Search for American Character.- Part II Interruption: Artists Speak About Their Work.- 8 Black Women Performers: ‘I Don’t Want to Do Anything Else’.- 9 Trans-body-text: Exploring Performance Disruptions, a Discussion with Lazlo Pearlman.- 10 Embodied and En-sited Performance: Reflections on Gender in Cooking Miss Julie/Miss Julie Cooks and March of Women.- 11 A Manifesto of Living Self-portraiture (Identity,
Transformation, and Performance).- Part III 2000s–2020s.- 12 Love and Information by Caryl Churchill, or Sexuality and Gender in Non-binary Times.- 13 Gender and the Aesthetics of Occupation: Making Room for
Women’s Labour at the Theatre.- 14 Performing Reproduction in an Age of Overproduction: Environmental Installations by Ai Hasegawa.- 15 Loose Wrists: Camp and Intersectional Politics in the Works of Cazwell, Todrick Hall, and Big Freedia.- 16 Riotous Assembly: Performing Gender and Social Justice in thisispopbaby’s RIOT.- 17 From Gimmick Casting to Standard Practice: Re-gendering Shakespeare in Performance.- 18 ‘Women’s Business’: Leah Purcell’s The Drover’s Wife and the Reclamation of Black Australian History.- 19 Gender-Assemblages: The Scenographics of Sin Wai Kin.
