Art and Philosophy

NOTE EDITORE

Though a field often thought far from the center of contemporary philosophy, philosophy of art—perhaps more than any other field similarly situated—nevertheless enjoys extensive overlap with and points of exchange at that center. The last decade has seen a marked resurgence of interest in aesthetics and philosophy of art from those working outside these areas, and a reciprocal resurgence of interest in other subfields from philosophers of art. Art and Philosophy brings together twenty-one original essays at the intersection of art and philosophy. These essays are intersectional in two respects. Firstly, the authors draw meaningful connections between art and philosophy, using artworks to motivate, support, and shape their views. Secondly, the authors draw connections between the theoretical discipline of aesthetics and philosophy of art, on the one hand, and the rest of philosophy, on the other. Some chapters explore philosophical matters by examining art and other aesthetic objects, whilst others bring together contemporary thought and research in aesthetics and philosophy of art with important developments in other areas of philosophy. The chapters are organized into ten sections. These ten sections represent the current issues best exemplifying the productive and informative exchanges that exist at these intersections. The topics range from metaphysics and philosophy of language to creativity and love. By placing the connection to art at the forefront, Art and Philosophy is a testament to the myriad ways art and the philosophy of art intersect and overlap with issues that lie at the core of contemporary philosophy.

SOMMARIO

1 - Ontological Contextualism and Upper Paleolithic Cave Art, Stephen Davies2 - Paleolithic Cave Painting, John Hyman3 - How to Change an Artwork, David Friedell4 - The Ontology of Art: Keeping it Easy, Keeping it Real, Amie L. Thomasson5 - A Pragmatist Approach to Aesthetic Disagreement, E. A. Cantalamessa6 - Telling Stories, Jody Azzouni7 - Testimony, Understanding, and Art Criticism, Allan Hazlett8 - Art, Exemplars, and Knowledge, Keith Lehrer9 - Perception and Mental Imagery in Our Engagement with Art, Bence Nanay10 - Prosthetic Arts and the Objects of Perception, John Kulvicki11 - How to Understand Fiction in Photography, Paloma Atencia-Linares12 - The Myth of Imaginative Resistance, Amy Kind13 - The Imagination, Derek Matravers14 - Creativity, Spontaneity, and Merit Antti Kauppinen15 - The Problem of Creative Intention, Antonia Peacocke16 - Free Will and Aesthetic Responsibility, Dana Kay Nelkin17 - Aesthetic Free Will through Control, John Dyck18 - Aesthetic Debunking Arguments, Adam Gjesdal and Jonathan M. Weinberg19 - Trading Up in Relationships with Art, Anthony Cross20 - Connecting Beauty and Love, Nick Riggle21 - "I'll Be the Hero You're Dreaming Of": Popular Music and the Social Construction of Romantic Love, Jasper Heaton, C. S. I. Jenkins, and Aida Roige

AUTORE

Alex King is Associate Professor of Philosophy at Simon Fraser University. She has written widely on issues in aesthetics and ethics. Her work in aesthetics primarily concerns aesthetic normativity, reasons, and value. In ethics, her work in has focused on the 'ought implies can' principle. She is author of What We Ought and What We Can (Routledge, 2019), which provides an overview of the principle and an extended argument against it.

ALTRE INFORMAZIONI

• Condizione: Nuovo
• ISBN: 9780198753865
• Dimensioni: 240 x 30.0 x 165 mm Ø 766 gr
• Formato: Copertina rigida
• Pagine Arabe: 416