PA RT I: Historical Perspectives1. Wilkie’s Story: Dominant Histories, Hidden Musicians, and Cosmopolitan Connections in Jazz(Tony Whyton)/2. DiasporicJazz (Bruce Johnson)/ 3.I Like to Recognize the Tune: Interrupting Jazz and Musical Theater Histories(Julianne Lindberg)/ 4. “That Ain’t No Creole, It’s a . . .!”: Masquerade, Marketing, and Shapeshifting Race in Early New Orleans Jazz (Bruce Boyd Raeburn) / 5.Jazz Education: Historical and Critical Perspectives(Ken Prouty)/ 6. Swan Songs: Jazz, Death, and Famous Last Concerts (Walter van de Leur) 7. Jazz on Radio (Tim Wall)PART II: Methodologies 8.After Wynton: Narrating Jazz in the Postneotraditional Era (David Ake) / 9. Jazz and the Material Turn (Floris Schuiling) / 10. Jazz Meets Pop in the United Kingdom (Catherine Tackley) / 11. On Billboard, Isaac Hayes, and the “Swinging Relationship” Between Jazz and Its Popular Music Cousins, 1950–1973 (John Howland) / 12.“Wacky Post-Fluxus Revolutionary Mixed Media Shenanigans”: Rethinking Jazz and Jazz Studies Through Jason Moran’s Multimedia Performance(John Gennari) /13. Conceptualizing Jazz as a Cultural Practice in Soviet Estonia (Heli Reimann) / 14.And Then I Don’t Feel So Bad: Jazz, Sentimentality, and Popular Song (Alan Stanbridge) PART III: Core Issues and Topics 15. Space and Place in Jazz (Andrew Berish) /16. Time in Jazz(Mark Doffman) / 17.Jazz and Disability(George McKay) /18.Race in the New Jazz Studies(Patrick Burke) /19.The Vocalized Tone(Tom Perchard)/ 20.Jazz and the Recording Process(Benjamin Bierman) /21. Figuring Improvisation (Peter Elsdon) / 22.Listening for Empire in Transnational Jazz Studies(Frederick J. Schenker)PART IV: Individuals, Collectives, and Communities 23.New Orleans, the “Creole Concept,” and Jazz (Wolfram Knauer) /24.Sitting In and Subbing Out: The Gig Economy of 1960s New York(Marian Jago) /25. George Lewis’s Voyager(Paul Steinbeck) /26. Quiet About It—Jazz in Japan(Michael Pronko) /27. Performing Improvisation: Bill Evans and Jean-Yves Thibaudet(Deborah Mawer) /28. Bossa Nova and Beyond: The Jazz as Symbol of Brazilian-Ness(Eduardo Vicente) /29. Individuals, Collectives, and Communities: Festivals and Festivalization: The Shaping Influence of a Jazz Institution(Scott Currie) PART V: Politics, Discourse, and Ideology30. The Birth of Jazz Diplomacy: American Jazz in Italy, 1945–1963(Anna Harwell Celenza) / 31. Jazzing for a Better Future: South Africa and Beyond(Christopher Ballantine) / 32. EricHobsbawm(Roger Fagge)/ 33.Jazz at the Crossroads of Art and Popular Music Discourses in the 1960s(David Brackett) /34. The Rhetoric of Jazz(Gregory Clark) /35. Unfinalizable: Dialog and Self-Expression in Jazz(Charles Hersch) / 36. Improvisation: What Is It Good for?(Raymond MacDonald and Graeme Wilson) /37. Friends and Neighbors: Jazz and Everyday Aesthetics(Nicholas Gebhardt) PART VI: New Directions and Debates38. “The Reason I Play the Way I Do Is”: Jazzmen, Emotion, and Creating in Jazz(Nichole Rustin-Paschal) / 39. The Art of Improvisation in the Age of Computational Participation(David Borgo) /40. Renaissance or Afterlife? Nostalgia in the New Jazz Films(Björn Heile) /41. Comics as Criticism: Harvey Pekar, Jazz Writer(Nicolas Pillai) /42. Free Spirits: The Performativity of Free Improvisation(Petter Frost Fadnes) /43. My Jazz World: The Rise and Fall of a Digital Utopia(Simon Barber) / 44. Writing the Jazz Life(Krin Gabbard)