Chapter 1. Introduction by Gerald Egan
Chapter 2. Pastoral Authorship and Porcelain Figurines: Pope’s Elite Aesthetic and the Fashionable Decorative Commodity by Lauren Miskin
Chapter 3. "Magnificent as well as Singular": Hester Thrale's Polynesian Court Dress of 1781 by Serena Dyer
Chapter 4. Becoming Somebody: Refashioning the Body Politic in Mary Robinson’s Nobody by Terry F. Robinson
Chapter 5. Nobleman Incognito: Byron’s Albanian Dress by Gerald Egan
Chapter 6. Fraser’s Magazine and the Instability of Literary Fashion by Richard Salmon
Chapter 7. Fashioning Femininity in the 1840s: Charlotte Brontë and Villette by Birgitta Berglund
Chapter 8. No Room for the ‘Woman of Fashion’: Male Authorship, Anti-fashion, and Wilkie Collins’ The Woman in White by Loretta Clayton
Chapter 9. The Writer and the Couturière: Authorship and Creative Industry in the 1870s by Patricia Zakreski
Chapter 10. ‘Down to the last button . . . in the fashion of the hour’: Virginia Woolf and the Writer of Modern Fiction by Randi Koppen
Chapter 11. Fashioning Modern and Modernist Authorship: Rebecca West in the 1920s and 1930s by Margaret D. Stetz
Chapter 12. Fashion as Self-Authorship, Escape from Fascist Terror, and Witness Testimony by Phyllis Lassner
Chapter 13. Fantasies of Femininity Redressed: Angela Carter’s Authorial Self-Fashioning by Kimberly J. Lau
Chapter 14. “Style description: / Provenance: / Period:”: Martin Margiela, Fashion Authorship and Romantic Literary History by Timothy Campbell
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