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pollock griselda - differencing the canon

Differencing the Canon Feminism and the Writing of Art's Histories




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Dettagli

Genere:Libro
Lingua: Inglese
Editore:

Routledge

Pubblicazione: 02/1999
Edizione: 1° edizione





Trama

In this major new book, renowned art historian Griselda Pollock enters the debate at the very center of the culture wars: Should the traditional canon of the Old Masters be rejected, replaced or reformed? And what difference can a feminist approach to art history make?
"Differencing the Canon" moves between feminist re-readings of modern masters--Van Gogh, Toulouse-Lautrec and Manet--and the canonical artists of feminist art history Artemisia Gentileschi and Mary Cassatt. Avoiding both an unrelenting critique of masculine canons and the unquestioned celebration of women artists, Pollock asks both how women read and what might be different about art made by a woman. She unpacks the representations of culturally resonant female figures in a range of texts, from Manet's depiction of the model Jeanne Duval in his painting "Olympia," to Charlotte Bronte's Lucy Snowe, artists representations of Cleopatra and Angela Carter's "Black Venus," and argues that it is not enough simply to read as a woman; we must also acknowledge the differences between women shaped by racism and colonialism.
Inspiring and original, "Differencing the Canon" offers an intervention that attempts to make difference a creative and dynamic process, opening up the possibilities of reading the complexity of visual art.




Note Editore

In this major book, Griselda Pollock engages boldly in the culture wars over `what is the canon?` and `what difference can feminism make?` Do we simply reject the all-male line-up and satisfy our need for ideal egos with an all women litany of artistic heroines? Or is the question a chance to resist the phallocentric binary and allow the ambiguities and complexities of desire - subjectivity and sexuality - to shape the readings of art that constantly displace the present gender demarcations?




Sommario

Preface PART I Firing the canon 1 About canons and culture wars 2 Differencing: feminism's encounter with the canon PART II Reading against the grain: reading for ... 3 The ambivalence of the maternal body: re/drawing Van Gogh 4 Fathers of modern art: mothers of invention: cocking a leg at Toulouse-Lautrec PART III Heroines: setting women in the canon 5 The female hero and the making of a feminist canon: Artemisia 6 Feminist mythologies and missing mothers: Virginia Woolf, Charlotte Bronte, Artemisia Gentileschi and Cleopatra 7 Revenge: Lubaina Himid and the making of new narratives for new histories PART IV Who is the other? 8 Some letters on feminism, politics and modern art: when Edgar Degas shared a space with Mary Cassatt at the Suffrage Benefit Exhibition, New York 1915 9 A tale of three women: seeing in the dark, seeing double, at least, with Manet




Autore

Griselda Pollock










Altre Informazioni

ISBN:

9780415067003

Condizione: Nuovo
Collana: Revisions, Critical Studies in the History and Theory of Art
Dimensioni: 9.75 x 6.75 in Ø 1.46 lb
Formato: Brossura
Pagine Arabe: 364


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