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haynes deborah j. - bakhtin and the visual arts

Bakhtin and the Visual Arts




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Dettagli

Genere:Libro
Lingua: Inglese
Pubblicazione: 06/2008





Trama

Assesses the relevance of Mikhail Bakhtin's ideas as they relate to the visual arts.




Note Editore

Bakhtin and the Visual Arts assesses the relevance of Mikhail Bakhtin's ideas as they relate to painting and sculpture. First published in the 1960s, Bakhtin's writings introduced the concepts of carnival and dialogue or dialogism, which have had significant impact in such diverse fields as literature and literary theory, philosophy, theology, biology and psychology. In his four early aesthetic essays, written between 1919 and 1926, and before he began to focus on linguistic and literary categories, Bakhtin worked on a larger philosophy of creativity, which was never completed. Deborah Haynes's in-depth 1995 study of his aesthetics, especially his theory of creativity, analyses its applicability to contemporary art theory and criticism. The author argues that Bakhtin, with such categories as answerability, outsideness and unfinalizability, offers a conceptual basis for interpreting the moral dimensions of creative activity.




Sommario

Part I. Context: 1. Introduction; 2. Bakhtin's historical and intellectual milieu; Part II. Bakhtin's Theory of Creativity: 3. Answerability; 4. Outsideness; 5. Un/finalizability; Part III. The Usefuleness of Bakhtin's Aesthetics: 6. Interpreting works of art; 7. Bakhtin and postmodern art theory.




Prefazione

Bakhtin and the Visual Arts, first published in 1995, assesses the relevance of Mikhail Bakhtin's ideas as they relate to painting and sculpture. Deborah Haynes's in-depth study of Bakhtin's aesthetics, especially his theory of creativity, analyses its applicability to contemporary art theory and criticism




Note Libraio

Bakhtin and the Visual Arts assesses the relevance of Mikhail Bakhtin’s ideas as they relate to painting and sculpture. First published in the 1960s, Bakhtin’s writings introduced the concepts of carnival and dialogue or dialogism, which have had significant impact in such diverse fields as literature and literary theory, philosophy, theology, biology and psychology. In his four early aesthetic essays, written between 1919 and 1926, and before he began to focus on linguistic and literary categories, Bakhtin worked on a larger philosophy of creativity, which was never completed. Deborah Haynes’s in-depth study of his aesthetics, especially his theory of creativity, analyses its applicability to contemporary art theory and criticism. The author argues that Bakhtin, with such categories as answerability, outsideness and unfinalizability, offers a conceptual basis for interpreting the moral dimensions of creative activity.











Altre Informazioni

ISBN:

9780521066044

Condizione: Nuovo
Collana: Cambridge Studies in New Art History and Criticism
Dimensioni: 259 x 12 x 178 mm Ø 430 gr
Formato: Brossura
Illustration Notes:29 b/w illus.
Pagine Arabe: 240


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