"An intriguing survey of word-imbued artworks of the modern period, Writing on the Wall will surely be a touchstone for readings on the relationship between language and art across time. While filling a gap in the current scholarship on text in art, Morley has crafted in clear, accessible prose, a study that is easily extrapolated beyond modernism, indeed beyond the fine arts. It is an adventuresome work, and extremely stimulating."--Kathy O'Dell, author of "Contract with the Skin: Masochism, Performance Art, and the 1970s
