In this new photo sequence German artist André Lützen makes his way through the urban labyrinth of Hanoi by night. The city is restless, bustling, cramped. People are driven onto the streets by the heat and their confined living quarters. Doors are flung wide open. The boundary between in- and outside dissolves.
As in his last book, Before Elvis There Was Nothing, Lützen's images have an almost cinematic character: the intensity of the colors, the physical closeness, the constant movement.
