The first book release by young Swiss photographer Peter Hauser shows his straightforward, analog black and white pictures of nature and urban landscapes that yield a distinctive observation of perceptual phenomena: rectangles float; shadows fall into hard-edge shapes; surfaces reveal patterns and unlikely grids. Photographer Edward Weston drew a distinction between making pictures to learn about the world and those that impose a vision upon it. It was his intention to make pictures, he once said, not as an interpretation, a biased opinion of what nature should be, but a revelation an absolute, impersonal recognition of the significance of facts.. Peter Hauser's work is subscribing to this mantra.